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Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature." "About the moon? Oh, many things. I was not thinking of the moon," with faint impatience; "yet, as you ask me, I can remember one thing he says about it." After the people had finished killing the buffalo and cutting up the meat, they missed this young woman. No one knew where she had gone, and her relations were frightened and very sad because they could not find her. So her father took his bow and quiver and put them on his back and said, "I will go and find her"; and he climbed the bluff and set out over the prairie..
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Thus half an hour goes by. Then Geoffrey, growing uneasy, raises his head and looks at Mona. From where he sits the bed is hidden from him, but he can see that she is still kneeling beside it, her hand in Rodney's, her face hidden in the bedclothes. "Well; there isn't much, is there?" says Mona, pleasantly. "Yes, quite so: that is exactly what I meant," returns he, agreeably. It was not what he meant; but that doesn't count. "How awfully clever you are," he says, presently, alluding to her management of the little pats, which, to say truth, are faring but ill at her hands. Geoffrey starts. He walks quickly up to Mona, and, stooping over her, very gently loosens her hand from the other hand she is holding. Passing his arm round her neck, he turns her face deliberately in his own direction—as though to keep her eyes from resting on the bed and lays it upon his own breast..
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